A WAY OF CREATING
I have always been drawn to the lives that quietly surround us—birds resting among branches, butterflies passing through flowers, fish moving beneath the water, and animals carrying on in worlds we rarely stop to notice.
I do not want to reproduce them exactly as they appear in nature. Instead, I remember their movements, simplify their shapes, and rebuild them through lines, colors, and imagination. Some become gentle, some playful, and some almost dreamlike.
For me, clay is not a blank surface waiting to be decorated. It is a small world that can slowly come alive. Every carved line leaves behind the movement of the hand, while every irregular shape gives the creatures their own character.
Through EBMing Studio, I hope to make objects that feel alive—not only because they depict animals, flowers, and wings, but because they carry curiosity, warmth, and the pleasure of looking closely at the world.
A WAY OF SEEING
Some lives stay with me long after I see them.
Animals and plants often leave a stronger impression on me than I can explain. It may be the stillness of an owl, the weight of a whale moving through water, or the restless fullness of flowers in summer. When I begin a piece, I do not think of them simply as subjects to be drawn. In my mind, they slowly become symbols—forms shaped by memory, feeling, and the particular energy they once left behind.
Some forms stay in my memory before I know why.
I let them grow beyond what I first saw.
They slowly become symbols of a feeling.
I hope they awaken something familiar in someone else.
Feathered Grove
What's behind, not revealed...
Into the gate of Heart of Asia
Chinese craftsmanship gave birth to the aesthetic language that shaped all of East Asia. From ceramics and silk to lacquer and ink, it developed a way of seeing—one that values atmosphere over precision, rhythm over symmetry, and the quiet suggestion of form over direct representation.
The Philosophy
In the Chinese pursuit of yi jing—a poetic balance of space, light, and material—beauty lives not in precision, but in suggestion. Much like Monet’s dissolving light, artisans let the world soften at its edges, allowing the unseen to shape what is felt.
