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Live with nature’s little spirits.

Shigeyoshi Morioka

Shigeyoshi Morioka is a revered potter working in the mountain village of Amano, Wakayama. Firing in multi-chamber wood kilns, he creates vessels that span from rugged and elemental to serene and introspective. With a deep sensitivity to clay, ash, and flame, Morioka’s work reflects decades of practice and presence. His influence extends quietly but profoundly across generations of Japanese and international ceramic artists. Each piece carries earth, fire, and time—held in form, never forced.

21 products

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Wood-Fired Nanban Teapot – Deep Burn

$275.00

Wood-Fired Nanban Sake Server

$275.00

Wood-Fired Nanban Tea Cup – Ash Fade

$92.00

Wood-Fired Nanban Tea Cup – Flame Split

$94.00

Wood-Fired Nanban Clay Cup

$89.00

  • Sold Out

Set of 5 Wood-Fired Maple Leaf Dishes

$200.00

Set of 5 Wood-Fired Split Leaf Dishes

$248.00

  • Sold Out

Set of 5 Wood-Fired Heartleaf Dishes

$200.00

Set of 5 Wood-Fired Lotus Leaf Dishes

$248.00

Set of 5 Wood-Fired Lotus Leaf Dishes

$248.00

  • Sold Out

Wood-Fired Heartleaf Dish

$200.00

Wood-Fired Lotus Leaf Dish – Bright Flame

$190.00

Wood-Fired Lotus Leaf Dish

$190.00

Small Unglazed Nanban Sake Flask

$230.00

Small Wood-Fired Nanban Sake Bottle

$230.00

Wood-Fired Nanban Sake Bottle

$220.00

Wood-Fired Nanban Vase

$439.00

Wide-Mouth Flower Vase

$439.00

Crafted by Masters

Every piece is handmade by experienced artisans in Jingdezhen and beyond, blending tradition with contemporary aesthetics.

Seamless Delivery

Enjoy reliable international shipping with careful packaging, ensuring your piece arrives safely, wherever you are.

Made Just for You

Select studios support bespoke commissions — from colors to forms — making your piece truly personal.

Trusted Support

Our team is here to assist with care guidance, replacements, or any concerns — so your treasures last a lifetime.

What's behind, not revealed...

Into the gate of Heart of Asia

Chinese craftsmanship gave birth to the aesthetic language that shaped all of East Asia. From ceramics and silk to lacquer and ink, it developed a way of seeing—one that values atmosphere over precision, rhythm over symmetry, and the quiet suggestion of form over direct representation.

The Philosophy


In the Chinese pursuit of yi jing—a poetic balance of space, light, and material—beauty lives not in precision, but in suggestion. Much like Monet’s dissolving light, artisans let the world soften at its edges, allowing the unseen to shape what is felt.

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Not making, but expressing.